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Search results: 92 articles (Search results 1 - 20) :
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Feast 3 DVDRip I often lament the state of horror movies these days. If its not a remake of some schlock splatterhouse flick from the 70s or 80s or a derivation of a foreign concept, its some trite excuse to flash tits covered in buckets of gore. Not that theres anything wrong with that. I mean, good horror is supposed to be a little bad. But theres a limit. Netflix is resplendent with an assortment of tersely titled grindhouse wannabes, churned out by guys with digital camcorders, Suicide Girl fetishes, and lifetime Fangoria subscriptions. Being a horror writer myself, Awesome. Starting off right where the last one left off. I mean literally. The last five minutes of the last movie are the first five of this one. Its the principle of Robert Zemeckis: Why make one shitty sequel when you can make two at once? So for those of you keeping score, a bunch of assholes nobody likes are stuck on a roof in a terrible town while monsters try to eat them. I had held a desperate hope that they would have cleaned house castwise like they did between the original (and superiorly funspirited) Feast and Feast II. Instead, they did up a Back to the Feaster II and Feaster III Triple Feast. If Christopher Lloyd doesnt drive a train off a cliff, this movie already fails.
00:00:36: Clu Gulager, the directors father, is back as the Bartender who wont fucking die. Hes standing in the middle of the desert, staring angrily into the camera, saying, Thanks for fucking my potential acting retirement plan, son. I couldnt be a stunt hand in a Turkish jerkoff film now. Jokes on you, I blew your inheritance on hookers and Pixie Sticks.
00:03:00 Seriously, this is just the end of the last movie. Thats some green filmmaking, Ed Begley Jr. Why this didnt kill at Sundance is beyond me. If they filmed a compost pile decaying itd get a four picture fucking deal these days. And yet were going to SXSW, where anyone can be a filmmaker if they have $75.
00:04:00: Now I remember why I hate everyone from the last film. Didnt they kill everyone, goddammit?
00:04:45: Finally! New footage! Honey Pie, my arch nemesis who survived in the credits of the last film IS DEAD! One of the monsters decrapitated the broad. I dont care how annoyingly resilient you appear to be. Nobody gets up from a deheadening. Ask the Kurgan.
00:04:47: The monster is eating Honey Pies huge noggin like a golden delicious apple. And now. The monster. Is crapping. A human head. Put that on your resume, Heigl.
00:05:00: I guess stupid bitch heads arent fortified with the nutrients monsters need to grow up and be in quality films. Five minutes in, and weve got recycled footage, a beheading, and scat humor. Stick with YouTube, kids. Five years from now, The Oscar will go to a documentary shot on cell phones. And itll be hosted by Tyler Perry.
00:05:30: Christ, again with the little yearbook writeups for the characters. The arc for the Bartender says, WWII Vet, now fighting his greatest battle, blah-blah-blah. Im pretty sure this was the dominant pattern for the script. They fight monsters with guns on the roof. Make sure chicks are topless. Blood and shit. Blah-blah-fritos scoops are teh shinzorgans.
00:06:07: Joan Jett the Biker Queen is killing a monster with a motorcycle. Im positive theres some sort of austere symbolism for female empowerment going on that Im not fully appreciating. Probably because shes spouting such overwhelmingly powerful dialogue, Die! and Bleed!
00:06:20: Bleed it out! Bleed it all out! Thats what I scream at my girlfriend during her special lady time. What? If this movies not bringing the A-game, Im certainly not. Tampax! Gets the red out!
00:06:35: Thats some Pam Grier shit! Slasher, the only black character. Congrats on reigniting apartheid, my brother. If memory serves me correctly, the last movie ended with them getting swarmed by monsters on the roof. Where have all the monsters gone? Are they with the cowboys?
00:07:00: Somebody slip in the blood, somebody slip in the blood! Cmon, this calls for some wacky Stoogian hijinks!
00:07:10: What in the piss purple fuck?! Greg Swank is STILL ALIVE? The motherfucker got a steel pipe blasted through his head! Its still there! They replayed the scene just so we knew! Fucking Swank is played by the goddamn directors brother. CHRIST! It was SWANK! Swank fell in the goop! Oh, retarded magic is not nearly as much fun to watch when you know where the coins are really disappearing to.
00:07:39: Oh, good. Theyre shooting in night vision. So you can bask in all the glorious functionality of the $450 digital camcorder the movie was shot on. White balance next! Autofocus! Anti-tremble function! Whooo! Technology! AV CLUB 4EVA!
00:08:00: Oh, goddamn you, Secrets. I hope someone beats you Oprah and Blue with the Bible. If you recall, shes called Secrets because she believes in The Secret. Also, she keeps repeating, We gotta believe. We gotta believe. Who says you cant have witty social commentary in a grindhouse flick?
00:08:25: They keep going back and forth from nightvision to color. Thats going to use up most of the $65 budget. And a motherfucker needs his goddamn Fritos scoops.
00:08:28: Ahhhh! HAHAHAHAHA! I paused the DVD to write I bet theyre gonna have a monster jump out from the shadows any second now. And one did! But in the freeze frame, I can totally see the wire mesh inside the mouth of the costume that the actor looks through! I think its James Lipton! Liptons the fucking monster!
00:08:49: For those of you keeping score at home, Two monsters have been killed. All by gals. One Honey Pie left out in the rain. Shell never have to be in the movie again. On our home team weve got: Bartender, Slasher, Biker Queen, Secrets, Greg Swank, two Tattooed Biker chicks named Tit Girl and Tat Girl, and theoretically Lightning, unless the midget budget ran over from the last film. Eight is enough! Eight people who will hopefully perish before long!
00:09:00: This movie officially includes more exposed breasts in the first ten minutes of any film Ive ever seen before, and Im including pornography.
00:09:37: They keep going close-up on the dead monster. I wonder if hes really dead? Will he jump up and kill? Were whats left of whats left behind. Sounds like the Samuel L. Every Dead Black Hero Jackson Memorial Monologue to me.
00:10:11: Nope. He lives. They just like zooming in in nightvision. A black guys just as green as you and me when the lights are out. Togetherness.
00:10:15: I give up. A guy in a jeep comes driving down the road. And WHATHEFUCKETYFUCKWHISTLE?! THUNDER IS STILL ALIVE?!!!
If you recall from the last movie, Thunder the other half of the midget team was splattered all over the street by the ill-fated but awesome midget catapult experiment. He was then subsequently torn in half by the monsters, but being a midget, Im not sure what fraction that represents. Potentially a third.
And here he is, as a fucking tiny torso with intestines hanging out, STILL ALIVE! And doing reverse pushups.
00:10:20: This must be a new character. Hes driving an army jeep with a spiked ram on the front. He just ran over Thunder! Thats no way to treat your marquee midget, Gulager. Motherfucker was in Pirates of the Caribbean Elevenses: The Search for Ulees Gold.
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| Publisher: Saunt :: 18 November 2009 :: view: 40 |
Access 2003 Bible Publisher: Wiley | ISBN: 0764539868 | edition 2003 | PDF | 1449 pages | 21 mb Databases can be complex. That's why you need the expert guidance in this comprehensive reference manual to help you harness their power with a solid understanding of database purpose, construction, and application. If this is your first encounter with Access, you'll appreciate the thorough attention to database fundamentals and terminology. If you're familiar with earlier versions, you can jump right into Access 2003 enhancements like wider use of XML and Web services. Inside, you'll find complete coverage of Access 2003 — Create tables, manipulate datasheets, and work with multiple tables — Understand the seven database objects and design systems objects — Apply the seven-step design method to build databases tailored to your needs — Build forms with wizards, create bound and unbound forms, and add data validation — Learn how to use Visual Basic(R) and the VBA Editor to automate Access applications — Use XML to create basic and advanced Data Access Pages — Automate query parameters, create functions and subroutines, and add programmed error routines — Exchange data with Word, Excel, PowerPoint(R), and other Office applications
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Windows 7 Bible | 45.48 Mb
This comprehensive reference by a Microsoft expert covers all aspects of the new Windows release. The much-anticipated release of Windows 7 will have numerous changes, and you'll need a complete guide to take full advantage of all it has to offer. Windows 7 Bible covers navigation changes such as pinning to the task bar, full screen preview with invisible windows, Jump Lists, Home Group, Sticky Notes, and many others. It shows you how to use Internet Explorer 8, including features like Web Slices and Network view changes, and guides you through all the new desktop features.
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English | 1296 pages | Wiley (March 30, 2009) | ISBN: 047038252X | PDF | 47.7 MB
Packed with more than one thousand pages of hands-on instruction and step-by-step tutorials, the bestseller returns with everything you need to know to harness the power of Dreamweaver CS4. This comprehensive resource guides you through the ins and outs of Dreamweaver CS4 so you can quickly get started building dynamic, data-driven sites. The book demonstrates building interactive forms; creating client-side image maps; connecting to a live database; working with layers, style sheets, and dynamic HTML; inserting, deleting, and updating data from Web pages; designing with templates; and integrating with Photoshop, Bridge, Flex, Fireworks, and Cold Fusion, as well as CSS and Ajax.
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| Publisher: supper88 :: 5 November 2009 :: view: 195 |
Feast 3 | 690 MB I often lament the state of horror movies these days. If it’s not a remake of some schlock splatterhouse flick from the 70s or 80s or a derivation of a foreign concept, it’s some trite excuse to flash tits covered in buckets of gore. Not that there’s anything wrong with that. I mean, good horror is supposed to be a little bad. But there’s a limit. Netflix is resplendent with an assortment of tersely titled grindhouse wannabes, churned out by guys with digital camcorders, Suicide Girl fetishes, and lifetime Fangoria subscriptions. Being a horror writer myself, 00:00:00: Awesome. Starting off right where the last one left off. I mean literally. The last five minutes of the last movie are the first five of this one. It’s the principle of Robert Zemeckis: Why make one shitty sequel when you can make two at once? So for those of you keeping score, a bunch of assholes nobody likes are stuck on a roof in a terrible town while monsters try to eat them. I had held a desperate hope that they would have cleaned house castwise like they did between the original (and superiorly funspirited) Feast and Feast II. Instead, they did up a Back to the Feaster II and Feaster III Triple Feast. If Christopher Lloyd doesn’t drive a train off a cliff, this movie already fails. 00:00:36: Clu Gulager, the director’s father, is back as the Bartender who won’t fucking die. He’s standing in the middle of the desert, staring angrily into the camera, saying, “Thanks for fucking my potential acting retirement plan, son. I couldn’t be a stunt hand in a Turkish jerkoff film now. Joke’s on you, I blew your inheritance on hookers and Pixie Sticks.” 00:03:00 Seriously, this is just the end of the last movie. That’s some green filmmaking, Ed Begley Jr. Why this didn’t kill at Sundance is beyond me. If they filmed a compost pile decaying it’d get a four picture fucking deal these days. And yet we’re going to SXSW, where anyone can be a filmmaker if they have $75. 00:04:00: Now I remember why I hate everyone from the last film. Didn’t they kill everyone, goddammit?
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| Publisher: Saunt :: 5 November 2009 :: view: 78 |
Linux(R) Quick Fix Notebook Publisher: Prentice Hall PTR | ISBN: 0131861506 | edition 2005 | PDF | 696 pages | 8,31 mb In typical Linux " bibles," reserve the last third coverage for advanced topics that sys admins use on a day by day basis. They tend to cover the underlying concepts reasonably well, but fall short on hands-on instructions, forcing admins to buy specialty books. This book sufficiently expands the advanced sections found in these " bibles," providing step-by step instructions on how to configure the most popular Linux back office applications. To avoid confusion between the many flavors of Linux, each with it's own GUI interface, this book exclusively uses the command line to illustrate the tasks needed to be done. It provides all the expected screen output when configuring the most commonly used Linux applications to help assure the reader that they are doing the right thing. The Notebook also includes many of the most commonly encountered errors with explanations of their causes and how to fix them. The book's format is aimed at sys admins who often have to do advanced tasks in which the underlying theory is understood, but the commands to do it are forgotten or at the tips of their tongues. As the line between power users and administrators continues to blur, as computers move from the data center to the desktop, as Linux and Windows gain equal footing in business, it becomes harder to remember and do it all. This is the guide that gives admins the answers they need to common problems and tasks, allowing them time to eat lunch.
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The September Issue (2009)Quality: DVDRip Video: 720x400, 2240 Kbps Audio: AC3, 48000 Hz, 2ch, 192 kbps Size: 1.47 GB Genre: Documentary Director: RJ. Cutler / R.J. Catler Cast: Anna Wintour, Tekun Penigal, Andre LEON Tully, Grace Coddington
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The Encyclopedia of Animated Cartoons, by Jeff Lenburg Checkmark | 2008 | ISBN 0816066000 | 738 Pages | PDF | 17.6 MB
The Encyclopedia of Animated Cartoons, Third Edition, now thoroughly revised and updated, remains the definitive source on this entertaining subject. This new edition of the "ultimate cartoon fan bible" adds copious amounts of new material, bringing the book up to date and broadening the scope of its coverage.
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Flash 8 ActionScript Bible | 11.8 Mb
To create Flash applications that sizzle, you have to learn the code. In this comprehensive guide to the latest version of ActionScript, the object-oriented scripting language for Macromedia Flash, youll get the detailed instruction and step-by-step tutorials you need to write robust code and create sophisticated interactive animations. Work with objects and components, interoperate with javascript, create games, and more its all here in this informative book for developers, programmers, and designers.
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Flash 8 ActionScript Bible | 11.8 Mb
To create Flash applications that sizzle, you have to learn the code. In this comprehensive guide to the latest version of ActionScript, the object-oriented scripting language for Macromedia Flash, youll get the detailed instruction and step-by-step tutorials you need to write robust code and create sophisticated interactive animations. Work with objects and components, interoperate with javascript, create games, and more its all here in this informative book for developers, programmers, and designers.
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Stacy Cates, Simon Abrams, Dan Moughamian, "Photoshop CS4 Bible" | 24 MB
Wiley | ISBN: 0470345179 | January 14, 2009 | 1032 pages | PDF
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11 Books for Tattooists | 170 Mb
A Study in Pen Art, Huck Spaulding's A to Z of Tattooing, The Black Book of Tattooing, Customizing the Body, Encyclopedia of Body Adornment, In the Flesh: The Cultural Politics of Body Modification, Reinventing the Tattoo, Tattoo Secrets, Tattoo Tuning Guide, The Complete How to Tattoo Guide, and The Complete Tattoo Bible.
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God vs. Satan: The Final Battle AVI | English | XviD - 23fps - 640x480 | AC3 192kbps | 700 MB Genre: Dpcumentary
Armageddon. It is a universal theme that has spanned centuries and cultures... and has, as some say, become increasingly more relevant today. Surprisingly, however, a final chapter of this apocalyptic end has received little examination: the actual final battle between God and Satan, good and evil. The Bible points to a battlefield at Meggido in present day Israel, with each side taking a series of steps that will lead up to, and unfold, during this actual battle. What will this battle look like? Where do the stories come from, and how have they differed throughout history, between religions? God vs. Satan: The Final Battle will take viewers on a tour of the final days, and moments, as envisioned by believers of the three Abrahamic religions.
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Robert Reinhardt, Snow Dowd, "Flash CS4 Professional Bible" | 19.3 MB
Wiley | ISBN: 0470379189 | February 9, 2009 | 1224 pages | PDF A completely revised and updated edition of the all-time bestselling Flash title
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Robert Reinhardt, Snow Dowd, "Flash CS4 Professional Bible" | 19.3 MB
Wiley | ISBN: 0470379189 | February 9, 2009 | 1224 pages | PDF A completely revised and updated edition of the all-time bestselling Flash title
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Stacy Cates, Simon Abrams, Dan Moughamian, "Photoshop CS4 Bible" | 24 MB
Wiley | ISBN: 0470345179 | January 14, 2009 | 1032 pages | PDF
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11 Books for Tattooists | 170 Mb
A Study in Pen Art, Huck Spaulding's A to Z of Tattooing, The Black Book of Tattooing, Customizing the Body, Encyclopedia of Body Adornment, In the Flesh: The Cultural Politics of Body Modification, Reinventing the Tattoo, Tattoo Secrets, Tattoo Tuning Guide, The Complete How to Tattoo Guide, and The Complete Tattoo Bible.
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Linux Bible 2008 | 10.48 Mb Format: PDF Author: Christopher Negus Publisher: Wiley, John & Sons
Great Content from a Bestselling Author: The Linux Bible 2008 Edition is the best first Linux book for new or migrating users. By focusing on the building-block nature of Linux, and offering true up-to-date descriptions of Linux technology, the Bible helps the reader learn how to jump headlong into Linux, regardless of the Linux distribution they choose.
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#19 :: Pumpin Anthems 2 (2009) |
Music |
| Publisher: Dodik :: 22 October 2009 :: view: 177 |
Pumpin Anthems 2 (2009) | Size: 183 MB
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Adobe Photoshop CS4 for Photographers English | Pages : 704 | PDF | 2008 | 62MB
Adobe Photoshop CS4 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC By Martin Evening
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Tags Cloud |
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