The People Under the Stairs is the story of a young boy (Fool) from the ghetto and takes place on his 13th birthday. In an attempted burglary (along with two others) of the home of his family's evil landlords, he becomes trapped inside their large suburban house and discovers the secret of the "children" that the insane brother and sister have been "rearing" under the stairs.

Am I crazy or is Elizabeth Banks the new hot commodity in Hollywood? From where I sit, it seems as if she’s starring in nearly every movie made! Usually, however, she can be seen in some form of a comedy. Not in the The Uninvited. She sets aside the granny panties she made famous in Zack and Miri Make a Porno to star in what might be her first run at a psychological thriller.

Maybe that statement is a bit harsh — she very well may be good in a better movie. The Uninvited is one of those movies that simply tries too hard to be scary and tricky for its own good. Which, of course, should come as no surprise, seeing as Hollywood tends to make a complete mess of their Asian horror remakes (this is ripped from the Korean film, A Tale of Two Sisters).

Vikram K Kumar, the writer director of 13B has had an illustrious career, which began as an assistant to Priyadarashan. His latest film, 13B, has been made in Hindi and Tamil, with R Madhavan and Neetu Chandra playing the lead in both versions. The film, which belongs to the horror genre might just about arouse curiousity and generate a tad bit of suspense, but if it's horror that the makers are doling out, then they have definitely got the wrong address. There is nothing in the film which could get one scared, startled maybe. 13B has an interesting premise and towards the climax it does manage to pick up pace. But the overall impact is hardly exciting.

Artist: Kid Sister
Album: Ultraviolet
Year: 2009
Genre: Hip-Hop
Bitrate: 320 kbps
Tracks: 12
Size: 110 mb

For whatever reason, the Friday the 13th reboot took many more years to arrive than it should have given the spate of everything-old-is-new-again updates in the horror movie genre. After all, there are very few movie characters more recognizable than Jason Voorhees, even behind a hockey mask.

I wanted to believe. But with his big-screen blowup of his great and weird television series “The X-Files,” Chris Carter has turned me into a reluctant skeptic. Baggy, draggy, oddly timed and strangely off the mark, “The X-Files: I Want to Believe” is the generally bad-news follow-up to the show’s first feature-film incarnation, “The X-Files.” Released in 1998 and directed by Rob Bowman, one of the show’s regular frontmen, that earlier film was a seamless translation of the series’s paranoid vibe and trademark geek cool. The series supersized nicely, filling the larger spatial dimensions by staying true to its conceptual parameters.

Early in “(500) Days of Summer” the omniscient narrator who intermittently (and somewhat annoyingly) comments on the action cautions that the movie is “not a love story.” The print advertisements qualify his words, describing this slight, charming and refreshingly candid little picture as “a story about love.” Which it is: a story about how love can be confusing, contingent and asymmetrical, and about how love can fail. Given all this, it’s somewhat remarkable that “(500) Days,” the feature directing debut of the music video auteur Marc Webb, is neither depressing nor French.

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